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What is clear is that they immediately retreated under fire from the shooter.Ĥ. Not clear if they actually entered school or only approached it. Local law enforcement arrived four minutes later. Despite a doubling of the school district's security budget in the last year and the highly touted efforts of the State of Texas to fortify their schools after the 2018 Santa Fe school shooting, the shooter simply walked through a side door of the school-unlocked, unchallenged.ģ. There was no security guard stationed at the school to heroically exchange fire with the shooter. mostly from parents and children and "new" government representatives who have replaced those who gave misinformation in the first few hours after the massacre:ġ. Watch her at the end of the song- this is what's going on in her mind while she's having the procedure, or is representative of it. The real life Sally, Jean Ross had an abortion in Berlin, and nearly died from internal bleeding.
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The other thing is, Sally isn't deciding to have her abortion here, she's in the middle of it. I've had people debate me on this, but go look at the poster for the 1993 Donmar Warehouse production. In the last 30 or so seconds, the lighting, placement of the mic, Horrocks' makeup, and her screaming are clearly meant to echo H_tler. Ok, done? First of all, any subtilty, like the message in the movie, goes out the window. See if you can pick up what she and Sam Mendes are laying down there. If you haven't watched it yet, take 4 minutes to watch Horrocks' version below. I think you get the hint of that in the Hayworth version that's on YouTube from the Tony Awards. Just before the lyric "I'm going like Elsie" Sally makes up her mind to abort. It is said that in the Prince version, at the start of the song, Sally hasn't made up her mind what do to about her pregnancy.
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Jill Hayworth as British Sally sings it just before the scene where she tells Cliff she's had her abortion, and won't be leaving Berlin with him. But in Hal Prince's 1966 version, the placement of the song gives it more much more weight. Liza sings the title song AFTER Sally had her abortion, and Brian (Cliff on stage) has left town.
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Liza is brilliant, and it's one of the great moments in movie musical history. When Liza sings it, it's an anthem, and it really just represents looking the other way in Berlin as the N_zis took over. Liza was far too talented to play that version of her, so they changed it for the movie. Actually, you can dispense with Liza's for now- Sally Bowles is supposed to be a mediocre performer in Christopher Isherwood's Berlin Stories. I'm fascinated by the way the title song is sung in each of the three versions. The 1966 Hal Prince Broadway production, the movie (Fosse, Minnelli) and the Sam Mendes 1993 West End production, which went to Broadway five years later with several cosmetic changes, but the same basic concept as 1993. This is the 1993 West End version, which had a limited run of four months, and failed to transfer at the end of its limited engagement.Īt this point, you have three basic versions of Cabaret.
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Obviously, "Little Voice" could technically sing it much better than she does here.